
For over 30 years the Studio di Restauro Lisa Venerosi Pesciolini carries on interventions of conservation and restoration of paintings on canvas and panel, fondi oro, wooden painted sculptures, reliefs in terracotta and gilded, sculpted frames.
Located in one of the most characteristic areas in the centre of Florence, its exceptional dimensions can easily accommodate even very large works of art. The staff is composed by professionals with specific competences and different specializations, formed at the prestigious Scuola di Alta Formazione dell'Opificio delle Pietre Dure.
About us

Lisa Venerosi Pesciolini
I have always firmly believed that the quality of restoration can't do without an interdisciplinary approach. I have collaborated and keep actively working with art historians, chemists, physicists specialized in scientific diagnosis applied to research and with other art restorers too. The pursuit is to obtain the best results in my work.
Today I am in charge of one of the most prestigious restoration studios. I would like to emphasize as the most particular feature of my work the intimate, exclusive relationship which stems with the work of art that arrives in my Studio. I cure with endless delicacy the wounds that time, calamities and sometimes humans too have inflicted upon it. My activity is a constant quest, in each one of my interventions, for methods with non - invasive potential and materials applied with homeopathic principles, then following the reactions of the work of art to the process over the course of time.
After completing my formation at the Scuola di Alta Formazione dell'Opificio delle Pietre Dure in Florence, I immediately started my work as a restorer, inserting myself in the cultural fabric of this magnificent town.
Over all these years I had the opportunity to meet the challenges of complex interventions with works of art of great artistic quality. For me they have been true, exceptional travels I chose to let myself be guided through by an unrepentant fascination for research and discovery, with the support of art historians who are extraordinary human beings and remarkable professionals.
Constant study, delving into the investigation of materials and the methods to apply them to works of art are my professional patrimony, the foundations upon which I firmly build my work.
Curriculum
Restorer of Cultural Heritage DLgs42/2004, art 29/182

Sabrina Cassi
Sabrina Cassi is listed as Restauratore dei Beni Culturali in Decree Law ex art. 182 and ex art. 29 of January 22nd, 2004, number 42 (the code for Cultural Heritage and Landscape) in the areas of paintings on canvas and panel, wooden sculpture and architectural decorated surfaces.
Active for more than 25 years with her own company Laboratorio Fiorentino di Restauro and working in interventions of research, analysis, maintenance, supervision and restoration in the artistic patrimony sector, Sabrina Cassi has acquired a unique experience with works of art that represents a fundamental artistic reference, from relevant ones of wide public recognition to mere decorative ones.
She had the chance of deepening her technical experiences and the organization areas of her job, with a significant reference to her skills in the aesthetic interventions for “pictorial integration”, an extremely sensible area in which she had - and keeps having - many recognised and published occasions to be distinguished for her accomplishments.
She has worked and keeps working for private and public interventions, with the great prestige of her collaborations with the Opificio delle Pietre Dure and many other highly recognized restoration studios, with a special mention to her constant involvement with the Studio Lisa Venerosi Pesciolini.
Curriculum
What we do
We giveback artworks to life: prevention, diagnostics, restoration.
- Cleaning the painted surface to restore light and depth to the painting
- Restoration of the tension and flatness of canvas paintings that have "sagged" or have deformations with pickpocketing, depressions or protrusions
- Mending of tears or lacerations in the canvas
- Restoration of cracks in the pictorial layers
- Consolidation of flakes of raised or detached colour
- Integration of colour gaps
- Restoration of disconnections in the wood
- Disinfestation from biological or microbiological attacks such as wood insects, fungal hyphae, wood decay and others
- Closing of woodworm holes
- Restoration of the gilding of gold backgrounds or gilded frames
Prevention

Conservation

Restoration

Activities
Conservation, restoration, cataloguing, archiving, consultancy, research, training, dissemination, education.
Protection of collections

Restoration and consulting projects

Presentations and conferences

Workshops and guided visits

Restorations
Here we find a selection of the main restorations.
To consult the complete archive of restorations, click on the link below:
Press
Contact
Address:
Via del Ronco, 12 - Interno 6 - 50125 Firenze
Phone:
+39 055 2302365
The Studios in via del Ronco 12 (ring number 6 for Studio Lisa Venerosi Pesciolini; number 1 for Francesca Brogi and Sabrina Cassi's Laboratorio Fiorentino di Restauro) are located in the ancient premises of the Cereria Strozzi, that in 1716 was granted the warrant of suppliers to the Grand Duke of Tuscany by Cosimo III de’ Medici. The company hold it till 1740 with his successors Gian Gastone de’ Medici and François Étienne de Habsbourg – Lorraine, as the exclusive manufacturers of candles for all the churches in the Grand Dukedom. Those candles that illuminated the works of art of Tuscany.

Credits
Giacomo Bretzel, Federico Cavallini, Daniele Di Stefano, Claudio Giusti, Marco Grillo, Angelo Latronico, Gianluca Poldi, Antonio Quattrone, Roberto Serra, Art-Test - Firenze