Lisa Venerosi Pesciolini



For over 30 years the Studio di Restauro Lisa Venerosi Pesciolini carries on interventions of conservation and restoration of paintings on canvas and panel, fondi oro, wooden painted sculptures, reliefs in terracotta and gilded, sculpted frames.


Located in one of the most characteristic areas in the centre of Florence, its exceptional dimensions can easily accommodate even very large works of art. The staff is composed by professionals with specific competences and different specializations, formed at the prestigious Scuola di Alta Formazione dell'Opificio delle Pietre Dure.

About us

Lisa Venerosi Pesciolini

I have always firmly believed that the quality of restoration can't do without an interdisciplinary approach. I have collaborated and keep actively working with art historians, chemists, physicists specialized in scientific diagnosis applied to research and with other art restorers too. The pursuit is to obtain the best results in my work.

Today I am in charge of one of the most prestigious restoration studios. I would like to emphasize as the most particular feature of my work the intimate, exclusive relationship which stems with the work of art that arrives in my Studio. I cure with endless delicacy the wounds that time, calamities and sometimes humans too have inflicted upon it. My activity is a constant quest, in each one of my interventions, for methods with non - invasive potential and materials applied with homeopathic principles, then following the reactions of the work of art to the process over the course of time.

After completing my formation at the Scuola di Alta Formazione dell'Opificio delle Pietre Dure in Florence, I immediately started my work as a restorer, inserting myself in the cultural fabric of this magnificent town.

Over all these years I had the opportunity to meet the challenges of complex interventions with works of art of great artistic quality. For me they have been true, exceptional travels I chose to let myself be guided through by an unrepentant fascination for research and discovery, with the support of art historians who are extraordinary human beings and remarkable professionals.

Constant study, delving into the investigation of materials and the methods to apply them to works of art are my professional patrimony, the foundations upon which I firmly build my work.

Curriculum

Restorer of Cultural Heritage DLgs42/2004, art 29/182

Sabrina Cassi

Sabrina Cassi is listed as Restauratore dei Beni Culturali in Decree Law ex art. 182 and ex art. 29 of January 22nd, 2004, number 42 (the code for Cultural Heritage and Landscape) in the areas of paintings on canvas and panel, wooden sculpture and architectural decorated surfaces.

Active for more than 25 years with her own company Laboratorio Fiorentino di Restauro and working in interventions of research, analysis, maintenance, supervision and restoration in the artistic patrimony sector, Sabrina Cassi has acquired a unique experience with works of art that represents a fundamental artistic reference, from relevant ones of wide public recognition to mere decorative ones.

She had the chance of deepening her technical experiences and the organization areas of her job, with a significant reference to her skills in the aesthetic interventions for “pictorial integration”, an extremely sensible area in which she had - and keeps having - many recognised and published occasions to be distinguished for her accomplishments.

She has worked and keeps working for private and public interventions, with the great prestige of her collaborations with the Opificio delle Pietre Dure and many other highly recognized restoration studios, with a special mention to her constant involvement with the Studio Lisa Venerosi Pesciolini.

Curriculum

What we do

We giveback artworks to life: prevention, diagnostics, restoration.


  • Cleaning the painted surface to restore light and depth to the painting
  • Restoration of the tension and flatness of canvas paintings that have "sagged" or have deformations with pickpocketing, depressions or protrusions
  • Mending of tears or lacerations in the canvas
  • Restoration of cracks in the pictorial layers
  • Consolidation of flakes of raised or detached colour
  • Integration of colour gaps
  • Restoration of disconnections in the wood
  • Disinfestation from biological or microbiological attacks such as wood insects, fungal hyphae, wood decay and others
  • Closing of woodworm holes
  • Restoration of the gilding of gold backgrounds or gilded frames


Prevention

It is the first step for an appropriate conservation of the work of art over time. Prevention consists in implementing a series of precautions with the purpose of ensuring the maintenance...
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Conservation

Conservation is the least invasive of all interventions and its purpose is to maintain the work of art at its optimum situation, developing and deepening particularly in every aspect related to prevention. It solves the causes of degradation...
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Restoration

It is required when a work of art is particularly damaged by deep abrasions, ripped parts of canvas, orifices, holes and missing parts. A restoration also applies when a work of art is weakened...
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Recovery

The recovery project formulation requires a specific preliminary research with very complex tests, realized through physico-chemical and diagnostic analyses, followed by...
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Activities

Conservation, restoration, cataloguing, archiving, consultancy, research, training, dissemination, education.


Protection of collections

Lisa Venerosi Pesciolini takes care to catalogue and provide with their corresponding tab the works of art that belong to private and public collections, describing their technical and structural characteristics, their conservation status, with a sanitary updating which describes the time - life of each graphic work, painting and sculpture.
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Restoration and consulting projects

Lisa Venerosi Pesciolini makes restoration and consulting projects for a good conservation and restoration of antique, modern and contemporary works of art in private and public collections, both in Italy than abroad.
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Presentations and conferences

To offer our professional experience, to share the knowledge and explain the path that leads to the methodological options of a restoration are all activities that we carry on continuously, organizing meetings and taking part in conferences and presentations both in Italy and abroad.
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Workshops and guided visits

Our Studio welcomes students from Italian and International schools and universities, both public and private, for formation and post-graduate courses.
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Restorations

Here we find a selection of the main restorations.

To consult the complete archive of restorations, click on the link below:



Jacopo di Cione

Madonna della Neve

XIV secolo

Piero del Pollaiolo

Sant'Antonino che adora il crocifisso

1475

Maestro della Madonna Straus

Polittico di Citille

1390-1412(?)

Maestro di Santa Cecilia

Santa Margherita e le storie del suo martirio

XIII Secolo

Pietro Lorenzetti

Madonna in trono con bambino e angeli

1340

Andrea del Verrocchio

Crocifisso ligneo

Antonio Rossellino

Madonna con bambino, San Giovannino e angeli

Antonio Allegri detto il Correggio

Riposo in Egitto con San Francesco

1520 CA.

Antonio Puccinelli

Ritratto della nobildonna Morrocchi

1855-60

Dominikos Theotokopulos
detto El Greco

San Giovanni Evangelista e San Francesco

1601-05

Maestro di San Pietro in Villore

Cristo triumphans

Ultimo quarto Secolo XII

Bernardino Poccetti

Annunciazione

1601

Giorgio Vasari

Ritratto di Cosimo il vecchio e Cosimo I nelle vesti dei Santi Cosma e Damiano

Press

Il quadro Vita di Annigoni

Il Tirreno, 11 Giugno 2008

La Pala dell'Assunta di Jacopo da Empoli

Toscana Oggi, 3 Luglio 2022

Un'overdose di bellezza

Il Giornale della Toscana, 10 Marzo 2009

La Resurrezione, i Santi di Tito

Il Giornale, 27 Dicembre 2003

Verrocchio policromo

Il Sole 24 Ore, 4 Dicembre 1994

La resurrezione Santa Croce

La Nazione, 30 Giugno 2006

Beaux arts de vivre en Toscane

Madame Le Figaro, Aprile 2003

Il Cristo del Verrocchio

Tableau Magazine, Aprile 1999

Primo Conti

La Nazione, 2 Aprile 1993

Il quadro Vita di Annigoni

Il Tirreno, 11 Giugno 2008

La Pala dell'Assunta di Jacopo da Empoli

Toscana Oggi, 3 Luglio 2022

Un'overdose di bellezza

Il Giornale della Toscana, 10 Marzo 2009

Contact

Address:

Via del Ronco, 12 - Interno 6 - 50125 Firenze

Phone:

+39 055 2302365

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The Studios in via del Ronco 12 (ring number 6 for Studio Lisa Venerosi Pesciolini; number 1 for Francesca Brogi and Sabrina Cassi's Laboratorio Fiorentino di Restauro) are located in the ancient premises of the Cereria Strozzi, that in 1716 was granted the warrant of suppliers to the Grand Duke of Tuscany by Cosimo III de’ Medici. The company hold it till 1740 with his successors Gian Gastone de’ Medici and François Étienne de Habsbourg – Lorraine, as the exclusive manufacturers of candles for all the churches in the Grand Dukedom. Those candles that illuminated the works of art of Tuscany.

Credits

Giacomo Bretzel, Federico Cavallini, Daniele Di Stefano, Claudio Giusti, Marco Grillo, Angelo Latronico, Gianluca Poldi, Antonio Quattrone, Roberto Serra, Art-Test - Firenze